If you want to master your music close to -14 LUFS, making use of the ample headroom for dynamic impact, you’re free to do so, knowing it may just get turned down a few dB. Once you think of it like this, you may realize that it actually gives you a lot of freedom. ![]() It exists so that when an end-user is listening to program material from a variety of sources-like a playlist-they don’t have to constantly reach to adjust their volume control. Loudness normalization is purely for the benefit of the end-user. ![]() The goal of loudness normalization was never to force, or even encourage, mastering engineers to work toward a specific level. This is the way the Loudness Control module in RX works, and it’s also the technique most streaming services use. There are multiple ways to accomplish this, but most frequently the integrated loudness of a song is measured, and a gain offset is applied to make the measured value match the predetermined one. However, if your goal is to make two songs sound roughly the same in terms of loudness, “loudness normalization” is the key. If your goal is to use as much headroom as possible without clipping, then peak normalization is fine. In either case, this is what’s known as “peak normalization.” In practice, the predetermined level doesn’t have to be 0 dBFS, it can be any value we want, and in fact that’s exactly how the Normalize module in RX works. In the old days this usually meant setting the highest peak level in a file to 0 dBFS. Normalization is the process of setting some particular metric of a track-typically peak level or integrated loudness-to a specific, predetermined level. They use oversampling to attempt to show the actual peak level that will come out of a digital to analog converter-or DAC-which can help avoid clipping. Meanwhile, a metal song that’s full-on all the way through, might have an LRA measurement of just 3–4 dB.įinally, True Peak measurements are meant to be an improvement on traditional sample peak measurements. A classical recording, with wide variations between soft, pianissimo sections, and loud fortissimo sections, could have a very high LRA-perhaps 20 dB or more. Loudness Range-or LRA-is quite complex, but essentially you can think of it as a measure of musical dynamics. When we talk about normalization, it will be this integrated measurement that we’re interested in. In other words, if the integrated measurement is -12 LUFS, portions of the signal below -22 LUFS will no longer contribute to the loudness measurement. Additionally, there is a measurement “gate.” This means that very quiet signals-below -70 LUFS-do not contribute to the loudness measurement, and once that threshold is crossed, signals 10 dB below the measurement also don’t count. The Integrated metric is essentially a K-weighted measurement of a whole song, built up from the Momentary measurements. They are K-weighted, as described above, and Momentary uses a 400 ms time-scale, while Short Term uses a 3 second time-scale. Momentary and Short Term measurements are both essentially RMS measurements. ![]() Let’s walk through them to quickly explain what each one shows us. The next thing to understand is that most meters use “EBU Mode” to show five different loudness metrics, as shown above in Insight. Loudness meters, like those found in the Loudness panel of Insight, are a modern way of measuring perceived loudness in a digital environment, and the unit they measure is known as LUFS-loudness units, full scale. Is loudness intrinsic to a file? Or is it dependent on the sound pressure level-SPL-in the air? Where do user volume controls factor in, and what about tonal balance and the personal hearing traits of the listener? You can read more about some of these complexities about loudness in this article, but for our discussion here, we’ll think about loudness as it relates to so-called “loudness meters.” Loudness seems like it ought to be a simple enough concept, but if we pry a little we can uncover some of its complexities. Let’s start by bringing some definition to those terms. One of the core questions we’ll need to address is, “how loud should I master?” To answer this though, we’ll need to have a good understanding of loudness, LUFS measurements, and the concept of normalization.
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Fast Forward / Rewind actions (invoking the action again switches back to playback).Playback control: Play, Pause, Next Song, Back Track, Update All Podcasts.Invoking the Speak Text action automatically selects the Stop Speaking action, so it’s easy to interrupt the speech output. Text to Speech actions: Speak Text, Stop Speaking.Volume control: Decrease Volume, Increase Volume, Minimum Volume (10%), Medium Volume (50%), Maximum Volume (100%), Mute, Mute Off, Toggle Mute.System management actions: Sleep, Log Out, Shut Down, Restart, Dark Mode On/Off.Clipboard actions: Copy as Plain Text, Copy and Paste, Copy and Paste as Plain Text, Clear Clipboard History, etc.Text manipulation: Enter Text, Display in Large Type, New TextEdit Document, Save Text.Utility actions: Make TinyURL, Start Screen Saver, Set Desktop Background, Show Date and Time, Show IP Address, etc. ![]() Application control actions: Quit, Force Quit, Quit All Applications, Hide, Hide Others.Image manipulation actions: Resize, Recompress (High/Medium/Low Quality), Convert Format (PNG, HEIC), Rotate Left/Right/180°, Flip Vertical/Horizontal. ![]()
Nesmith continued to work in the video field and won the first-ever Grammy awarded for music video for his 1982 music and comedy collection, Elephant Parts. Ironically, it was MTV that spurred a Monkees revival in the '80s by re-running the old NBC series. When PopClips was sold to Time Warner/Amex in 1980, the idea was developed into MTV. Nesmith created a video clip for his song " Rio," and then turned the idea into a TV show called PopClips for Nickelodeon. In 1974, Nesmith founded the multimedia firm Pacific Arts, which released records, tapes and cassettes, but then moved into the new field of home video. He also had success as a producer and as a songwriter: He wrote the hit "Different Drum" for Linda Ronstadt's band The Stone Poneys, plus songs for The Nitty Gritty Dirt Band and Lynn Anderson. Nesmith then formed the First National Band and released three albums that are now considered pioneering examples of country rock. When The Monkees finally gained that control, their chart success continued for a while longer, but after the show in ended in 1968, the group split in 1969. However, the four Monkees - especially Nesmith - were frustrated by not having complete creative control over their music. Initially dubbed the "Pre-Fab Four," The Monkees soon out-paced The Beatles on the charts, scoring number-one albums and a string of hit singles. Fellow members Davy Jones and Peter Tork died in 20, respectively.Īlong with Tork and Dolenz, Nesmith answered an ad which led them to be cast in The Monkees TV show, which ran from 1966-68 on NBC. The death of Nesmith, known on the show for his omnipresent wool hat, leaves Micky Dolenz as the only living member of The Monkees. We ask that you respect our privacy at this time and we thank you for the love and light that all of you have shown him and us.” Nesmith's family told Rolling Stone in a statement, "With Infinite Love we announce that Michael Nesmith has passed away this morning in his home, surrounded by family, peacefully and of natural causes. He ended by posting a quote from Nesmith's song "I'll Remember You": “Thank you for the times you gave me, thank you for the tears you saved me, please take this song as my thanks to you.” May all those who loved him feel his comfort at this time - just listen and he will be there for you." "And you could get no closer to him then through knowing his work. ![]() "Nez expressed the highest part of his being through his voice," Sandoval wrote. ![]() "I am positive the brilliance he captured will resonate and offer the love and light towards which he always moved." And in the end I know that Michael was at peace with his legacy which included songwriting, producing, acting, direction and so many innovative ideas and concepts," Sandoval continued. "That tour was a true blessing for so many. We shared many travels and projects together over the course of 30 years, which culminated in a Monkees farewell tour that wrapped up only a few weeks ago." The Monkees' manager, Andrew Sandoval, confirmed the news on Facebook, writing, " It is with deep sadness that I mark the passing of Michael Nesmith. PopClips was preceded by the video Elephant Parts (which won the first ever Grammy Award for Music Video), and followed by a second series titled Television Parts, both of which Nesmith hosted and produced.Michael Nesmith, singer/guitarist and songwriter for The Monkees who went on to become a respected songwriter, producer, and a pioneer in the nascent field of music video, has died at the age of 78. The channel's owners at the time, Warner Cable, wanted to buy the name and idea, but instead, according to Dear, "they just watered down the idea and came up with MTV." The program was broadcast weekly on the youth-oriented cable television channel Nickelodeon in late 1980 and early 1981. Besides Harrison, the production team was made up of Bruce "Buz" Clarke, Keith Cornell, Marybeth Harris, and Leslie Chacon. With an infinity cyclorama as the background, set flats were made from the Styrofoam packing used to ship laserdisc players and 3/4" video decks. ![]() Production began in the spring of 1979 at SamFilm, a sound-stage built and operated in Sand City, California by Sam Harrison, a Monterey Peninsula College instructor with a motion picture background. ![]() įormer Monkee Mike Nesmith conceived the first music-video program as a promotional device for Warner Communications' record division. 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If you’re suddenly wondering, “Can someone do my paper for me?”, there’s likely a very good reason for that. Rustle's Christmas Adventure was first devised for them. Meanwhile, he continued his game design for Activision, Electronic Arts, Sega, and Brøderbund.Īnd once he and Terry had their two sons, Alex and Eric, he naturally told them stories. Other projects he owned (Scorpio Rose™, The Djinn™) were mixed with company series (Green Lantern, Silver Surfer, Fantastic Four). But he still liked comics, so he created Coyote™, which within its first year was rated one of America's ten best series. He did, but he also wrote a solo Batman series (immediately dubbed the "definitive" version) that later became Warner Brothers' first Batman film (the good one).Īfter that he left comics for a time, traveled in Europe for a year, wrote a novel (The Point Man™), and came back to design video games for Atari (E.T., Garfield). He was finally hired away from Marvel by DC Comics, to be their lead writer and revamp their core characters (Superman, Batman, Wonder Woman, Flash, and Green Lantern). ![]() Midway through that period he moved to California (where he remains), and met and married his wife Terry. That led to long runs on Captain America, The Hulk, The Avengers, Dr. After a stint in the Army, he moved to New York and began to write for Marvel Comics. Like damn, the more I acknowledge this I’m wondering why I haven’t read these comics before.Steve Englehart went to Wesleyan University in Middletown, Connecticut. Jessica with her anxiety has to battle fear every day. He just ignores fear and anything that might make him scared entirely. He’s gonna make it happen again because he’s the tough guy. He cares about kicking the ass of the beings that gif their asses handed to them by the guardians once already. Do y’all really think he’s give a damn about a fear engine? 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![]() self.priceCredits() - Credits this unit cost self.teamId() - Return team id of unit or market. New logic boolean/number/unit/string functions: Eg: “autoTrigger: if 2*self.energy + parent.energy-10 > 50” Comparison support added to logic booleans: = != >= 100” Dynamic logic boolean overhaul, with new dynamic number, unit, string types Workshop mods are detected and added dynamically, and with download status Mod list filtering options added to PC mods screen Add switchPriceWithStreamingCost to all-units.template to quickly switch a mod over to streaming resources. switchPriceWithStreamingCost:boolean/switchPriceWithStreamingCost:boolean shortcut to set streamingCost to price value and clear price. Flags can be used to pause and unpause from triggers. streamingCost - Like price but paid for overtime while action is queued, queue is paused if resource runs out. Construction or queue is paused if resources run out while building. streamingCost - Like price but paid for overtime while this unit is being queued or built. Other new modding features-Moddable resource streaming style systems like in TA, C&C, etc. ![]() General Airon has made a break down on some of the main 1.15 features: Host can now return all players back to the battleroom to setup a new game with the same settings, without setting up a new game and requiring players to reconnect. Nautilus: Launch scout bot ability added and can now build anti-nukes missiles (with shorter range and more expensive than normal) Added new blink and speed modules to the Modular Spider And newly added workshop mods are detected and show dynamically with download status Mod list filtering options added to mods screen. Search/filtering by unit title / internal name added to sandbox Big dynamic logic improvement for modding, with new dynamic numbers, unit and string types, dynamic text, arrays, memory, unit references, messages sending, events, etc. Over 100% faster rendering on PC with high numbers of small units on screen (runs smooth in tests with 10,000+ units all on-screen) Unit color can be overridden for each player Starting units can be different for each player, useful for faction selection in mods. AI difficulty can now be set differently for each AI player Overrides for each players in multiplayer and advanced skirmish Quick example of modded fake 3d tank with a custom selection indicator: Modded sprite stacking fake 3d tanks with custom decal health bars: Added new decal drawing system - Can be used for a lot of new things from selection interfaces, custom health bars, fake 3d effects, 3d voxel units, animations, etc And better customize the layout, display of new resources including creating image iconsĮxample of custom resources in 1.15 mods: Mods can now create resource streaming style systems like in TA, C&C, etc. Game history shown with graphs on post game win/lose screen New unit - Spy Drone - Can not attack/Can see further through fog/Decent health and speed/Self repair. Will be expanded with more effects in future. Use drawType:displacement to access in your mods. Shader effects - Right now adds displacement/shockwave effects such as teleport, water ripples, nuke shockwaves. Team coloring shaders - Used to greatly reduce memory use of mods with large images, and eliminates lag when applying team color |
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